Misty is an oft-covered jazz classic. This is a lovely take on it, with a piano and an alto sax.
Edit (2012-12-05): The MP3 wasn’t attached. Fixed it, belatedly.
Misty is an oft-covered jazz classic. This is a lovely take on it, with a piano and an alto sax.
Edit (2012-12-05): The MP3 wasn’t attached. Fixed it, belatedly.
Jesus Loves Techno (porno version) is a nice piece of layered techno, sampling a Ron Jeremy video. It is definitely NSFW.
Electroball is some funky electronica, with guitar & synths.
Those squealing synths later in the song remind me of jake’s “Sock Patterns.”
Yes, that’s really its unpronounceable name: i xill coda i.o. brie#D4CC2 is soothing, minimalist, spacy, and ambient.
I love this song! King Of The Road is another punk, NSFW version of the frequently covered Roger Miller country song. This was posted by lothar as a reaction to hearing uncleozzy’s version, also featured here. In comparison, this one has more fun guitarwork and less pinched vocals.
Optimistic is layered and textured “electroacoustic” – a cross between electronica and folk rock, befitting the genre-hopping melissa may and sleepy pete (and their pal Feedle). It has evocative lyrics about the loves of a lifetime in an indifferent universe. There’s an astronomy-themed video, involving the vibrant cosmos.
Minutes To Live, Seconds To Die is another surf rock tune from Brainy, whose only other posted track was Monday’s Five Fathoms Down. This is more straight-ahead and quick-moving, short & sweet.
It’s Been So Cold Since We Left Earth is buzzing, spacy, droning, with quietly noodling synths. I like this as background.
Five Fathoms Down is mellow surf rock – like a more contemplative Miserlou.
Brooklyn Cars is energetic garage pop, with an organ & saxophone. Bouncy & fun!
Charm is, well, jangly pop. It’s sort of timeless – it reminds me of songs from the 60’s & 90’s, a Brit Pop vibe.
Shoulda Been About Cupcakes is an instrumental, primarily on the droning (steel?) guitar.
Would you like vocals with that? es_de_bah contributed some.
Happy Halloween! King of the Road is a lofi punk version of the frequently covered Roger Miller country song.
Show Me A Better Future is a bouncy techno song, with sorta breakbeat shifts in tempo.
Edit: I belatedly noticed that this is the 200th song posted here. Woot!
Camaro Husk Part 2 is an eclectic song – varying by turns, but I like the relaxing atmospheric bits. It works as soothing background for me.
If you like this, you might check out part 1, the only other song posted by framedmistake.
Tryptophantastic (2007 edit) is a lo-fi take on a Thanksgiving family gathering. It’s distorted – loud, warm, & fuzzy.
The sky was filled with rainbows is a gentle, atmospheric song, primarily synth-based. It’s soothing, with a build.
2 WINTERCUTS is sorta two tracks, but I prefer to think of it as having a two-minute intro. 🙂 They’re instrumental except for samples – first, some constantly shifting electro, and second, some head-bobbing electronica, with smooth synths and staccato drums.
Cement floats. has ethereal female singing in front of heavy, droning, and dissonant music.
So Does Everybody Else, Only Not So Much is about an old man apologizing for repeating the same stories over and over, in an adaptation of an Ogden Nash poem.
Thanks for the Add is a fun and catchy dance track, with the bass cranked, distorted and farty-sounding. This song’s around four years old, from when Myspace was the dominant social network, with around twice as many monthly users as that upstart Facebook.
Mothers is epic and ethereal, with an awesome, slow build. The song’s tagged with a few bands, which I feel like exploring.
My Dancing May Assassinate is a noodly, head-bobbing, minimal, and chill piece of jazz electronica.
Faster Peach is a sorta shoegazer, poppy song from The Harvey Girls, previously.
King of Flesh and Bone is an indie rock song with introspective lyrics about the impulse to tear down. It’s from saulgoodman’s band Tangemeenie, who previously appeared here for underwater caves, a mellow atmospheric song. I like their genre-hopping – they’ll be here again.
I don’t think I realized my fondness for the banjo before I started this project. Weighin’ me down exploits that weakness, with banjo plucking and some French lyrics and warmth.
(all hype) is a slamming dance track. It’s all bass and tight loops and equalizer-fading, more than a little like Daft Punk, for example.
Jessamyn’s Song sounds like low-key lolling (as in idling) on a porch, lounging about, accompanied by banjo and whistling.
Happy is a fun, catchy, and bouncy song, though I like the somewhat dark vein. You know, like how the Magnetic Fields are sort of happily morose, if that makes any sense.
Staring at My Spaceship is a cute bossa nova chiptune.
I remembered the movie Grease as being bubblegum pop songs about teenage love. chococat watched and paid attention to an oft-neglected song, and noticed that Hopelessly Devoted to You is actually sorta dark and stalker-ish, and made a cover that emphasized that aspect.
You can compare it to the original version. The lightness doesn’t quite shake the tone of the cover for me, but your mileage may vary.
Oh man that funky bassline YES!
I Wish remixes Stevie Wonder’s song, and it thickens up the awesome starting riff.
Major Bounce is a cheerful instrumental song with a couple of layers of intricate guitar work.
Arabesque reminds me of going to the Castro Theatre, where David Hegarty plays the organ before and between shows. Using intermission music to mark the start of the weekend seems fitting.
Your Melodies is, as tdismukes notes in the thread, “plaintive and melancholy.” It’s also warm, with banjo and guitar.
a_hallo wee n_ +tre at is a bouncy retro electro treat, with staccato synths, and samples of Christopher Walken.
it can happen to you slices, loops, and remixes Mozart’s 25th into a mellow hip-hop song.
Foundations is a genderbending Kate Nash cover. It’s sort of a neurotic, Livejournal-ish song, with a distinctive voice (and accent).