Waltz #2 is a pretty if downbeat acoustic ballad, with lovely harmonizing.
It’s a cover of a Elliott Smith tune. The lyrics, and the biographical details behind them, are dark.
Podcast: Play in new window | Download
Waltz #2 is a pretty if downbeat acoustic ballad, with lovely harmonizing.
It’s a cover of a Elliott Smith tune. The lyrics, and the biographical details behind them, are dark.
Podcast: Play in new window | Download
womankind is a slow and sincere ballad to the awesomeness of women. It’s acoustic; melodica, piano, and the lap steel that I love.
Trampoline is an acoustic ballad. I love the sound of the guitar here – it sounds like a steel guitar, with the reverb that makes me think of the desert.
Killing All My Friends is a slow murder ballad, then pop song / “James Bond soundtrack” – which helps defuse the lyrical oddity.
Half Empty Waltz is an evocative and sad song, a collaboration with es_de_bah. It feels like autumn and Tom Waits and holidays spent alone.
Young Devin Funck was a twelve-year-old boy who tangled with a ten-foot-long alligator, and lived to tell the tale. Astro Zombie wrote poetry, and cortex did his best Johnny Cash.
Candyland is a “country rock power ballad,” which doesn’t fit my usual genres, but it’s catchy enough to stick in my head a bit, so here it is.
Secular Humanist Love Song is an alt-rock* ballad (note: one nsfw word in lyrics).
Happy Valentine’s Day!
* or maybe indie pop, I don’t even know
Louis Collins is a cover of a blues song by Mississippi John Hurt, using a resonator guitar, which brings bluegrass to mind.
I’ll Never Forget You is a lovely piano ballad.