Waltz #2 is a pretty if downbeat acoustic ballad, with lovely harmonizing.
It’s a cover of a Elliott Smith tune. The lyrics, and the biographical details behind them, are dark.
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Waltz #2 is a pretty if downbeat acoustic ballad, with lovely harmonizing.
It’s a cover of a Elliott Smith tune. The lyrics, and the biographical details behind them, are dark.
Podcast: Play in new window | Download
People Got to Be Free is a Moog-based 80’s synthpop take on the 1960’s song by The Rascals, like that crossed with the krautrock of Kraftwerk’s “The Model.”
Circles sounds like a 90’s alt-rock tune, with lofi fuzzy guitars and a singer who does sound a bit like TMBG, as peterkins pointed out.
Stain is a nifty rock song, with a man singing in falsetto, and nice layers.
Meanest Words is a pretty song with some sick burns! It’s a sad acoustic song about a couple fighting, with a melodica. Er. The song is accompanied by a melodica. They’re not fighting with the melodica. Obviously. (cough)
Heroin is a garage rock cover of the Velvet Underground song, primarily singing and a guitar. (Though, there is a high-pitched drone.)
You Still Look Like You Did Before is a bluegrass song, with upbeat music, melancholy lyrics, harmonizing backup vocals, and banjo by ORthey.
I’m surprised that it’s not the only song with the tags bluegrass or washboard, considering what I thought I knew about my music tastes when I started this podcast.
I Said It All is a lovely bit of lofi garage rock, done for a Music Challenge – it uses only two chords.
Little Red Corvette is a fun rockabilly cover of the Prince song.
Watching the Detectives is a lovely take on the Elvis Costello classic – acoustic, but with a touch of reggae in the background.
Sorry for the delay! I lost track of the queue of songs I’d posted, and Metric’s new “Synthetica” album has grabbed me and won’t let go. I highly recommend it!
You’re Just New has somewhat sappy lyrics and cheesy synths, but I think it’s cute.
I remembered the movie Grease as being bubblegum pop songs about teenage love. chococat watched and paid attention to an oft-neglected song, and noticed that Hopelessly Devoted to You is actually sorta dark and stalker-ish, and made a cover that emphasized that aspect.
You can compare it to the original version. The lightness doesn’t quite shake the tone of the cover for me, but your mileage may vary.