Planetarium Disco is a happy bouncy techno track, with the synths I like, rolling along in a dense and noodly way.
This is The World Famous’ first appearance here! Many thanks!
Planetarium Disco is a happy bouncy techno track, with the synths I like, rolling along in a dense and noodly way.
This is The World Famous’ first appearance here! Many thanks!
Threnody is an atmospheric & dreamy piece, mostly driven by one guitar with reverb.
Stillekes is an experimental intrumental track, very minimalistic and loopy – a bit hypnotic, gradually shifting.
Then She Begins … is another short rock song, packing a lot in despite that – some unusual instruments appear, including an electric ukelele, a toy piano, a reed organ, and a trumpet.
Like a Rolling Stone is a very short cover of the Bob Dylan tune, with a fuzzy lofi guitar.
Spooky Bitch is an instrumental and noodly synth tune. Kinda groovy.
Whispers is a charming lofi folk song, about the aftermath of a nearby car accident, with onlookers and someone who gravitated toward the ready audience. It’s part of an unofficial Music challenge, recorded on a laptop’s built-in microphones.
Profiling is IDM – intelligent dance music – a bit droney and hypnotic / repetitive, but not too ambient for my tastes. It shifts slowly.
Edit, 7pm – The mp3 wasn’t attached. Let’s say this is Tuesday’s entry.
Playing Games is a short but rocking little chiptune from frequent guest this month, god particle.
Nixon In China is a smooth, sexy jam, using those damn sexy political references. You know what I’m talking about. Awwww yeah.
[Edit: Huh, this didn’t post this morning. I’ll count this as Thursday’s post.]
Stone Mover is a nice & melancholy bit of acoustic indie rock. It has a lovely, shifting atmosphere.
Bob-omb Battlefield is a cover of video game music, specifically from Super Mario N64. It’s not a chiptune, though; it’s done with a couple of acoustic guitars.
This is an oddly sorta reverent cover of Hey Ya – it’s a melancholy & a cappella rendering of the Outkast song, with harmonizing. Perhaps I should consider it irreverent for departing from the original.
Hey, Little Sprout! is an bouncy and epic bit of childlike joy, from the Harvey Girls (previously)
chinese dragon is some nice, chill trip-hop, from (once again) kimyo and Hot Bitch Arsenal.
We’ve passed Mefi Music’s second birthday, by the way. And wow, this blog won’t run out of music any time soon.
Attack of the Pasta Party Pirates is a jazzy jam, with quite a few instruments represented: oboe and alto sax are unusual here. Fun!
Concept (Remix) is a roaring techno remix of their own, possibly unreleased, rock song.
The Stranger is slow-paced indie rock – a lofi demo.
Wichita Lineman is a sorta disco / electronica cover of the often-covered country / pop classic, originally written by Jimmy Webb for Glen Campbell.
I’m not too fond of the computerized vocals here, but I really love everything else about it.
Joyride is happy electronica, with a cheesy bouncy synth. (I like farty bassy synths.)
This week is mostly bouncy electronica. Let’s start with the upbeat Toys, from god particle, who’s re-appearing this week.
nsbok 0539 is minimalist electronica, chill and ambient-ish.
Flashbakk is an intricate & awesome techno track, from god particle – it’s sort of his week here so far. Note, the first six seconds are noisy & not like the rest of the track.
Dammit is a nice acoustic take on a song by Blink 182, who I don’t usually like.
Scrape the Sky is a bumping techno track from god particle.
Flyball’s Lament (the cover one) is a cover of The Great Big Mulp’s “Flyball’s Lament” (previously). This is a minimal and folkish cover, with frequent guest ORthey singing and playing a guitar or two – one’s his resonator guitar (previously), which is bluegrass-ish.
Into the Night is a cheesy synthpop cover of “I Think We’re Alone Now,” originally done by Tommy James & the Shondells (1967) and covered by Tiffany (1987).
bond is atmospheric instrumental music – it’s good background music, with a slow build, but not too intrusive.
You Haven’t Done Nothin’ (Plump Mix) is a tighter remix of the politically aware 1974 Stevie Wonder original. So funky.
I’m experimenting with podcast tags a bit. Let me know what you think!
Thorns on the Heartstrings is a slightly dark electronica song, brooding, slow-paced, & pulsing in an industrial way; over midway through, it turns in an acid techno direction – which is to say, it reminds me of that song from “Blade,” in a good way.
The Book of Love is sleepy pete & melissa may, as The Harvey Girls (previously), covering a song by The Magnetic Fields, which is altogether lovely & charming. <3
‘Til We’re Dead is a lovely indie pop song, with harmonizing backup vocals, a Hammond organ, and a celesta. And then some odd lyrics, including “just to keep our brains inside our heads,” which lyrics – along with the general melody – got stuck in my head, as earworms do.
This is song #300 here!
Wave is a very mellow acoustic song. It’s fairly simple, and not overly intricate.
Jam back in the house is a lovely instrumental song – an guitar with looping, done in one take.
It’s going to be a fairly mellow week here, I think.
boing is an intricate & relaxing instrumental song, a duet between two acoustic guitars.
Take On Me (a cappella cover) is not faithful to the original, but it’s hilarious & really entertaining.
I’ll call those off-kilter covers.
Fault Lines is a rolling, dance, electronica, and synthpoppy song.
Edit: Oops! I’ve been a little sick this week, & I forgot to post the mp3 to the blog for this and one other song. It’s fixed now!